“Postmodern Art in Muriel Spark’s Novels.”English and American Literary Studies. Fall (2011): 396-402.
“Metafictional Strategies in Muriel Spark’s Novels.”Contemporary Foreign Literature 2 (2011): 42-50.
“Seamus Heaney’s Identity Predicament and His Corresponding Strategy.”Translations 4 (2012): 5-14.
The Art of Nouveau Roman in The Driver’s Seat.”Journal of Zhejiang International Studies University 2 (2012): 41-46.
“A Survey of the Study on Muriel Spark in Foreign Countries.” Contemporary Foreign Languages Studies 4 (2012): 67-72.
“A Tentative Probe into Muriel Spark’s Narrative Theory.” Foreign Language Education 4(2013): 90-93.
“The Colorful Portraits of Women Characters in Muriel Spark’s Fiction.” English and American Literary Studies (Fall) 2013: 81-90.
“The Intertextual Strategy in Muriel Spark’s The Comforters.”Foreign Literature Studies. 5(2015): 105-112.
“A Comparison of War and Peace and a Farewell to Arms.”Scholars Journal of Arts, Humanities and Social Sciences 3.9 (2015): 1423-1428.
“Tender Is the Night” and F. Scott Fitzgerald’s Sentimental Identities. Modernism/Modernity 22.4 (2015): 846-848.
“The Art of the Nouveau Roman in The Driver’s Seat.” International Journal of Social Science Studies. 4.1 (2016): 83-92.
“Muriel Spark’s Introspection: on the Multiple Themes of The Finishing School.” Foreign Studies. 3(2016):55-60.
“On Muriel Spark’s Life Writing.”Foreign Literature 4(2016):51-59.
“Narrative Strategy in The Prime of Miss Jean Brodie.”English and American Literary Studies (Spring) 2016: 113-124.
“A Review of The Series of the Academic History of Foreign Literature Studies.”Foreign Literature Studies 3(2016):161-164.
“The Metafictional Strategy in Muriel Spark’s The Finishing School.”Foreign Literatures 1(2017):125-132.